Martha confirms that the bickering that she and George endlessly engage each other in is simply part of their relationship, and that she only loves him more because of it. MARTHA: You're all flops. A bitter, aging couple, with the help of alcohol, use their young houseguests to fuel anguish and emotional pain towards each other over the course of a distressing night. He and Martha recall in detail his birth and childhood. You'll be able to access your notes and highlights, make requests, and get updates on new titles. [12] George tries to steer Nick and Honey away from the fate that he and Martha are currently battling: the use of illusion as a weapon against each other. George and Martha, a mid-level, bitter college professor and his frustrated wife, invite Nick and Honey back for after party drinks. It becomes clear to the guests that George and Martha's son is a mutually agreed-upon fiction. Edward Albee, Who's Afraid of Virginia Woolf? Winter: Who's Afraid of Virginia Woolf? Martha makes goo-goo eyes, and the lunk-heads grin, and roll their beautiful, beautiful eyes back, and grin some more, and Martha licks her chops, and the lunk-heads slap over to the bar to pick up a little courage, and they pick up a little courage, and they bounce back over to old Martha, who does a little dance for them, which heats them all up, mentally and so they slap over to the bar again, and pick up a little more courage, and their wives and sweethearts stick their noses up in the air right through the ceiling, sometimes which sends the lunk-heads back to the soda fountain again where they fuel up some more, while Martha sits there with her dress up over her head suffocating you dont know how stuffy it is with your dress up over your head suffocating! One! When they do, George and Martha have some tense, mundane conversation. 26 June 2013. It is George, with flowers--snapdragons. whom I will not forgive for having come to rest; for having seen me and having said: yes, this will do; who has made the hideous, the hurting, the insulting mistake of loving me and must be punished for it. he cites Nietzsches interpretation of the Apollonian/Dionysian dichotomy of ancient Greek drama, as described in The Birth of Tragedy. The illegibility of this scenethe difficulty of understanding whats going onattests to the strength of the private language that Martha and George share. Tony Award for Best Revival of a Play, 2005. 1.1K 0. by LifeJustHappened. CHILDREN'S PLAYS: Plays for Primary and Elementary School; CRIME AND WHODUNIT SCRIPTS; MUSICALS - PLAY SCRIPTS FOR MUSICALS; THRILLER AND HORROR PLAYS; GAY AND LESBIAN PLAYS (LGBT PLAYS) ROMANTIC PLAY SCRIPTS; TEEN PLAYS - PLAYS FOR HIGH SCHOOL; TEENAGE WRITERS; Science Fiction Stage Play Scripts - Sci-fi and fantasy; PANTOMIME SCRIPTS . won both the 1963 Tony Award for Best Play and the 196263 New York Drama Critics' Circle Award for Best Play. Your subscription will continue automatically once the free trial period is over. "Angry Playwright in Soft Spell". Rev. Maas and Menken were known for their infamous salons, where drinking would "commence at 4 pm on Friday and end in the wee hours of night on Monday" (according to Gerard Malanga, an Andy Warhol associate and friend to Maas). George pretends to react calmly, reading a philosophy of history book. Production: An Elizabeth Ireland McCann, Daryl Roth, Terry Allen Kramer, Scott Rudin, Roger Berlind, James L. Nederlander, Nick Simunek presentation of a play in . In terms of th. Refresh and try again. Societal norms of the 1950s consisted of a nuclear family, two parents and two (or more) children. Good, Better, Best, Bested: The Failure of American Typology in Whos Afraid of Virginia Woolf?. Edward Albee: A Casebook. After they return home from a faculty party, Martha reveals she has invited a young married couple she met at the party over for a drink. 11 June 2013. Solomon, Rakesh H. Albee in Performance. WHO'S AFRAID OF VIRGINIA WOOLF . Roles Collapse All Roles Acts: Three. Honey, although slow to catch on, realizes that Nick has shared the sordid circumstances of her hysterical pregnancy and their subsequent marriage. And in the process the idea of love, of family, all become muddled and illusory, just as people's views of each other are illusory. Continue to start your free trial. Script for Who's afraid of Virginia Woolf.pdf - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Browse more videos . These are lies, but Martha is enjoying this conversation. Find related themes, quotes, symbols, characters, and more. Error rating book. (To herself) I disgust me. The description matches that of the boy in the gin mill story told earlier, with the difference that now it is the son who crashed against the tree instead of the friend's father. This question sits at the very center of Ryusuke Hamaguchis Drive My Car . None of the monoliths could take a joke., , .. Who's Afraid of Virginia Woolf? Please prepare a 3-minute audition using your choice of a short monologue, contrasting musical selections, or a combination of monologue and a musical cut. Illusions may be exorcised in the play, but no truth or apparent reality is supplied in its place. lurks an undercurrent of tragedy and despair. He gently puts his hand on her shoulder and sings, "Who's afraid of Virginia Woolf, Virginia Woolf, Virginia Woolf". Who's Afraid of Virginia Woolf Summary. In her drunkenness, Honey acts like a child, while George brings up his and Marthas own child again. Still, Martha fears the amount of reality involved in this life. "Language: Truth and Illusion in Whos Afraid of Virginia Woolf?". In 1963, Columbia Masterworks released a four-LP (long-playing) boxed recording of the original Broadway cast performing the entire play, directed by Alan Schneider. Basically Martha is a domineering, forceful, and earthy person. But showing the ugliness within? Web. Traditionally, "Walpurgisnacht" is the name of an annual witches' meeting (satiric in the context of the play). I am the Earth Mother, and you are all flops. His works are considered well-crafted and often unsympathetic examinations of the modern condition. The original cast featured Uta Hagen as Martha, Arthur Hill as George, Melinda Dillon as Honey and George Grizzard as Nick. I cry all the time. opened on Broadway at the Billy Rose Theatre on October 13, 1962. The primary conflict between George and Martha in Who's Afraid of Virginia Woolf? It was out of print for many years, was not released in other formats, and is highly prized among collectors, as a play with such adult themes had never been recorded for the general public before. In all productions until 2005, Honey returns, wondering who rang the doorbell. Martha suggests they could invent a new imaginary child, but George forbids the idea, saying it was time for the game to end for the good of Martha herself, as she has now reached a point of no return, when illusion is confused with reality. As Martha keeps talking, George begins to recite a prayer in Latin. But then, one day, one night, something happens.and SNAP! Web. She imagines a scene where they admit that they would do anything for each other. The production was directed by Pam MacKinnon, who previously directed the premieres of Albee's Peter and Jerry and Occupant. George is completely in control now, both verbally and physically, and the physical violence he pretended earlier now is real. Our, "Sooo much more helpful thanSparkNotes. Web. Did you know you can highlight text to take a note? Morgan, T. B. Martha: In Who's Afraid of Virginia Woolf?, the character of Martha has a monologue in the third act. Then, to GEORGE, indicating a side table near the hall]: May I leave my drink here. George and Martha: sad, sad, sad. Do you know that? [19] Konkle 56-57. New York, NY, Linda Ray The action takes place in the living room of a middle-aged couple, George and Martha, who have come home from a faculty party drunk and quarrelsome. Gain full access to show guides, character breakdowns, auditions, monologues and more! Nick and Honey might not be ready to tear down their illusions yet. Complete your free account to access notes and highlights. [12] On page 40, Zinman acknowledges the fact that Martha and George married for love unlike Nick and Honey. [17] Adler 69, Eby 604. Colleen Dewhurst and Ben Gazzara starred in a 1976 Broadway revival. George tells Nick about a time he went to a gin mill with some boarding school classmates, one of whom had accidentally killed his mother by shooting her. You'll also get updates on new titles we publish and the ability to save highlights and notes. Nick and Martha appear to speak in a veiled fashion about their recent sexual encounter; Albee leaves it unclear exactly what happened. Yet even as an illusion, the son held a kind of power. was the tumultuous state of American society during the 1960s. Read the play and then see the show! In an interview, Albee said Martha and George were based on two of his friends, the married New York socialites Willard Maas and Marie Menken. Martha quietly asks George if he had to do it. Teach your students to analyze literature like LitCharts does. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Again Martha tries to use the son to take swipes at George, but George now rejects her attempts, a new occurrence in the play. That's a laugh. Edward Albee. Table of Contents. [28] It starred Laurie Metcalf, Rupert Everett, Russell Tovey, and Patsy Ferran. scrawled in soap, I suppose, on this mirror. He soon riles her up by talking about how the boy actually hated her. [1] Albee 7. Individuals find this very difficult and uncomfortable. Right at the Meat of Things: Virginia Woolf in Whos Afraid of Virginia Woolf? Womens Studies 40 (Routledge 2011): 853-872. Martha and Georges invented child has thus taken the place of the real child they cannot have, similarly to the hysterical pregnancy that took the place of the pregnancy that Honey was incapable of having. derived from Maas's and Menken's tempestuous and volatile relationship. Discount, Discount Code $24.99 English Essay. And it did strike me as being a rather typical, university intellectual joke.[9]. on 2-49 accounts, Save 30% Hoorvash, Mona and Farideh Pourgiv. Who s Afraid of Virginia Woolf. Flores.[5] They soon return to their aggressive behavior after ganging up on Nick. "It's hard to get a job after that," she told me last week. who tolerates, which is intolerable; who is kind, which is cruel; who understands, which is beyond comprehension Variety Drama Critics Poll Award, 1963. Martha seeks to even the score at the end of the act by pursuing a sexual encounter with Nick, cueing the next game of the evening: Hump the Hostess.. My, my, my! | From Tension to Tonic: The Plays of Edward Albee. As a result, Honey experiences another bout of sickness. George is an associate professor in the History Department at the college. We hope everyone had a w, The 50 Greatest Plays Of All Time Updated 2023, How To Memorize Lines Three Ways To Memorize Lines, How To Pitch A TV Show / 5 Tips To A Successful Pitch, Somewhere In Queens Trailer: Ray Romano Makes His Directorial Debut With This Family Dramedy, Courteney Cox Reflects on Friends, Her Career, and Yes, Prince Harry Doing Mushrooms at Her House: I Definitely Wasnt Passing Them Out, FUBAR Teaser: Netflix Unveils First Look At New Arnold Schwarzenegger-Led Action Series. At the end of the act, Martha humiliates George in front of their guests by calling him: A greatbigfatFLOP![2] Honey then becomes ill and is ushered to the bathroom by Martha. George and Martha both reply, " We couldn't" (3.498). Wed love to have you back! George Character Analysis. Malgr l'heure avance, ils reoivent chez eux un jeune couple, qui devient le Instant downloads of all 1699 LitChart PDFs Antoinette Perry Award, 1963. Who's Afraid of Virginia Woolf study guide contains a biography of Edward Albee, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Martha answers that she is and George nods as the curtain falls. By entering your email address you agree to receive emails from SparkNotes and verify that you are over the age of 13. George and Martha Sad, sad, sad., Martha: Oh, I like your anger. [12] Maas was a professor of literature at Wagner College and Menken was an experimental filmmaker and painter. Edward Albee's, Who's Afraid of Virginia Woolf. The guests leave. I pass my life in crummy, totally pointless infidelities would-be infidelities. In at least two instances alternate takes were used: Taylor's memorable "Goddamn you!" Ivan. The evening of the play, therefore, has passed as a whirling, chaotic, pagan experience. line is restored to "Screw you! Who's Afraid of Virginia Woolf? I pass my life in crummy, totally pointless infidelities would-be infidelities. [31], In 2018 the Elevator Repair Service premiered a sequel written by Kate Scelsa, titled Everyone's Fine with Virginia Woolf. on Broadway", "Rupert Everett Replaces Eddie Izzard in Broadway Revival of, "Review: George and Martha Redux in 'Everyone's Fine With Virginia Woolf', "Albee's 'Tiny Alice', The Whole Enchilada", Guardian review of London production 01/02/2006, Columbia Masterworks 1963 original cast recording, Drama Desk Award for Outstanding Revival of a Play, Grammy Award for Best Audio Book, Narration & Storytelling Recording, Citizen Kane (Original Motion Picture Soundtrack), Gertrude Stein, Gertrude Stein, Gertrude Stein, Raiders of the Lost Ark: The Movie on Record, The Measure of a Man: A Spiritual Autobiography, Our Endangered Values: America's Moral Crisis, The Daily Show with Jon Stewart Presents Earth (The Audiobook), America Again: Re-becoming the Greatness We Never Weren't, Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth, The Life and Adventures of Nicholas Nickleby, The Curious Incident of the Dog in the Night-Time, https://en.wikipedia.org/w/index.php?title=Who%27s_Afraid_of_Virginia_Woolf%3F&oldid=1141784765, Articles needing additional references from January 2020, All articles needing additional references, Wikipedia articles needing clarification from January 2020, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 26 February 2023, at 19:56. George warns Martha: I want you on your feet and slugging, sweetheart, because Im going to knock you around, and I want you up for it.[6] After this declaration, he initiates the final game, Bringing up Baby which culminates with his revelation of their sons death. Come on down tomorrow night and see, Come check out Robert Barnes Jr. take the stage in, Next up, this talented pair will be hitting the st, Come on down to see this dynamic duo take the stag, We are lucky to have this next actor in our lineup, Were backkkk!!! Meyer, Ruth. George has decided to "kill" him because Martha broke the game's single rule: never mention the son to others. [7] However, George has been pushed to his limit and, as such, chooses to end the evening of games by destroying the illusion of a son that he and Martha created so many years ago when they were unable to conceive. Plot Summary and Critical Analysis by Ashley Gallagher. To Kill a Mockingbird by Harper Lee (1926-2016) is among the most classic American novels. "Exorcism," too, is often connected to pagan traditions rather than those of an established church. George and Martha revel in the dissection of the truth and illusion that have kept them bound in their fiery marriage. Martha's Monologue from 'Who's Afraid of Virginia Woolf?' by Edward Albee. After they rejoin the women in the house, Martha and Nick dance suggestively. Teachers and parents! ", and some of the dialogue from the dancing sequence was lifted from another take. Furthermore, George and Marthas son, as a fiction, is as insubstantial as the vacuous Young Man, Mommy and Daddys new adopted son in The American Dream, and Nick is a more fleshed-out version of the Young Man.[24] Over the years, Albee has also edited the script including a pivotal scene between George and Honey at the end of Act II in which Honey confesses her use of birth control and George begins to plot for his next game: Bringing Up Baby. During Albees self-directed version of the play at the Alley Theatre in 1990, Solomon inquired, you made several changes in your text for this production.[25] To which Albee responded, Oh, very few, then began to list over a dozen changes ranging from simple typos to significant updates like Marthas: Truth and illusion, George; you dont know the difference to Truth and illusion, George; you know the difference. These edits continue to preserve the universality of Albees play. Saturday Review Drama Critics Award, 1963. Martha enters, by herself. The 2012 revival won the 2013 Tony Awards for Best Revival of a Play, Best Performance by an Actor in a Leading Role in a Play (Letts), and Best Direction of a Play (MacKinnon). Irwin won the 2005 Tony Award for Best Performance by a Leading Actor in a Play for his role. Yet even as Martha is saying this, George's Latin prayer refuses her the option: it is a prayer for the dead. and collapses. Good, better, best, bested., George, who is out somewhere there in the dark, who is good to me - whom I revile, who can keep learning the games we play as quickly as I can change them. The appearance of power always seems to be hollow in the play, a posturing meant to hide an inner emptiness or sadness. explores the self-deception, misdirection, safety and comfort at the heart of many relationships. Print. Fig. Who's Afraid of Virginia Woolf? Who's Afraid of Virginia Woolf? Georges announcement that he has brought flores para los muertos echoes the same line in A Streetcar Named Desire, which is spoken by a Mexican vendor and which reawakens Blanches memories of a significant death. In part, perhaps subconsciously, or perhaps incidentally, George and Martha seem to be both warnings and guides to Nick and Honey. Who has made the hideous, the hurting, the insulting mistake of loving me, and must be punished for it. The print edition of the play was published in 1962 and was one of the early releases of Atheneum Books. After Nick and Honey arrive, George and Martha begin exposing the dysfunction of their over twenty year marriage, at times violently and brutally. 2 (Oct., 1967), p.268, Tony Award for Best Performance by a Leading Actor in a Play, Learn how and when to remove this template message, "Who's Afraid of Virginia Woolf? By David Benedict. Scribd is the world's largest social reading and publishing site. Background. Monologue Script Pdf that you are looking for. Just a moment while we sign you in to your Goodreads account. Research Playwrights, Librettists, Composers and Lyricists, Whos Afraid of Virginia Woolf? With Imelda Staunton. George is an associate professor of history and Martha is the daughter of the president of the college where George teaches, the fictitious New Carthage. George announces that they are going to play one more game: "bringing up baby." Zinman, Toby. "Reality and Illusion: Continuity of a Theme in Albee". and What will our futures hold? A dark comedy, Whos afraid of Virginia Woolf? Patrick Stewart and Mercedes Ruehl starred in a 2000-01 production at The Guthrie Theater in Minneapolis. [23] Gilchrist 855. [8] Without their perseverance, Albees play may never have had such a successful six hundred sixty performance run at the Billy Rose Theater. In what is labeled the "Definitive Edition" of the script, however, the second act ends before Honey arrives.[2]. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Who's Afraid of Virginia Woolf? George: No, but we must carry on as though we did. The play was revived on Broadway at the Longacre Theatre, opening on March 12, 2005, in previews and closing on September 4, 2005, after 177 performances and 8 previews. : Directed by Mike Nichols. HONEY: (Apologetically, holding up her brandy bottle) I peel labels. George begins to tell the story of their sons death as the story he had recounted earlier, of the boy who killed both of his parents. 11 June 2013. Late one evening, after a university faculty party, they receive an unwitting younger couple, Nick and Honey, as guests, and draw them into their bitter and frustrated . Martha: Amen.". Adler writes, George exorcises the child not only to kill the illusion and live in reality, but to destroy one realitythat in which he has failed to exercise the strength necessary to make the marriage creative even without childrenand create a new reality to take its place. "[1] instead. After that he was committed to an asylum and never spoke again. Calta, Louis. Complete your free account to request a guide. A theatre lover and maker on returning to in-person performances after a year away --- In early March of 2020 I was anxiousbut not about COVID-19. 5.0 out of 5 stars Good product. Print. 26 June 2013. It is frequently revived on the modern stage. 50.4 (Winter 2007): 601-619. Seeking to reassert his power in Get the Guests, he trivializes Nick and Honeys marriage through a puffed up[4] mouse analogy. If you would like to give a public performance of this monologue, please obtain authorization from the appropriate licensor. Milwaukee Chamber Theatre's new production, directed by Keira Fromm . Monologue Master List Women 1. ", Albee has said that the title of the play "means whos afraid of the big bad wolf whos afraid of living life without false illusions. including context, text and video example. Mike Nichols and Elaine May starred in a 1980 production in New Haven. [10] Zinman 39. Christopher Bigsby asserts that this play opposes the idea of a perfect American family and societal expectations as it "attacks the false optimism and myopic confidence of modern society". Martha taunts George aggressively, and he retaliates with his usual passive aggression. Albee comments: Once youve played George in my play no other role with the possible exception of Hamlet will challenge you quite as much as far as magnitude of text, complexity of language and the challenge of working on many planes at the same time.[18] Fittingly, the role of George has been played by many renowned film and stage actors such as Richard Burton in 1966, Bill Irwin in 2005, and Tracy Letts in 2012. Nick comes in. While she is best known for her novels, especially Mrs. Dalloway (1925) and To the Lighthouse (1927), Woolf also wrote . Kingsley, Lawrence. It appears right after she seduces Nick, the new faculty member from the biology department as a means of taking vengeance on her husband for his lack of ambition and cruel words. The title is a pun on the song "Who's Afraid of the Big Bad Wolf?" In the first few moments of the play, it is revealed that someone sang the song earlier in the evening at a party, although who first sang it (Martha or some other anonymous party guest) remains unclear. It breaks. Violently oscillating between exaggerated laughter and awkward silence, Martha and George play petty games with the young couple in order to outdo each other. 4. E dward Albee occasionally expressed exasperation at being forever identified as the author of Who's Afraid of Virginia Woolf? Author bio(s) $14.00. George and Marthas inability to conceive also plays into the extended metaphor of Albees play, suggesting that sterility and fertility are simply metaphors for social stagnation and progress, respectively. Call it the Best Supporting Actress curse if you'd like. . The play ends with George singing, "Who's afraid of Virginia Woolf?" Meg Tilly returned to acting in 2011, playing Martha in a production by Blue Bridge Repertory Theatre. [7] Albee 95. My students love how organized the handouts are and enjoy tracking the themes as a class., Requesting a new guide requires a free LitCharts account. First Performance: 13 October 1962, Billy Rose Theatre, New York. The younger couple is first embarrassed and later enmeshed. Paolucci, Anne. On February 6, 2007, the production began a six-week run at the Ahmanson Theatre in Los Angeles. In the 1966 movie of Edward Albees 'Whos Afraid of Virginia Woolf?', Elizabeth Taylor played Martha, the menopausal daughter of a New England college president who subjects her professor husband George and a younger faculty couple to a macabre evening of games like Humiliate the Host and Get the Guest . The free trial period is the first 7 days of your subscription. -Graham S. While usually Martha is engaging George in an antagonistic dispute, here she engages Nick, standing up for her husband when Nick tries to criticize him. Martha- You're all flops. Thanks for creating a SparkNotes account! Even as Honey reveals the desire for a child, Martha and George fight over theirs. [21][22] MacKinnon again directed, with the Steppenwolf cast reprising their roles. Nominations: Drama Desk Award Outstanding Director of a Play [Albee], 1976. As he said, "In company with the MPAA's general counsel, Louis Nizer, I met with Jack Warner, the legendary chieftain of Warner Bros., and his top aide, Ben Kalmenson. Martha (Elizabeth Taylor) et George (Richard Burton) rentrent chez eux aprs une soire bien arrose. And you just don't give a damn any more. 26 June 2013. However, in recent years, From the start, Courteney Cox was different. A.B. M.A. PH.D.ABMAPHID! The idea behind the "Exorcism" (the title of the final act) is that the characters are getting rid of the illusions. In scene i, Martha is alone, and her soliloquy reveals her sense of abandonment and a desire to make up with George. Adler, Thomas B. George talks about Martha's overbearing attitude toward their son. Georg Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. The doorbell rings. on 50-99 accounts. Albees Whos Afraid of Virginia Woolf? Uploaded by. They invite another couple, Nick and Honey, to . It was finally rereleased in 2014 by Masterworks Broadway. is a play by Edward Albee first staged in October 1962. for a customized plan. Virginia Woolf to Close May 16: Albee Hit Leaves Broadway After 660 Performances. New York Times 5 May 1964, 53. The guests arriveNick, a biology professor (who Martha thinks teaches math), and his wife, Honey. from Walt Disney's animated version of The Three Little Pigs. View full profile. Martha repeatedly needles George over whether he found it funny. Dont have an account? What ensues is confusing and does not make immediate senseit is unclear whether George and Martha are inventing details of their sons life, or are recounting facts. The title phrase happened to appear five years before the play's premiere, in a 1957 issue of The New Yorker: A coffee fiend we know dropped into an espresso joint in Greenwich Village the other day and found himself whiling away his time reading the graffiti on the wall beside his chair. On December 12, 2010, the Steppenwolf Theatre in Chicago began performances of the play featuring Amy Morton as Martha, Tracy Letts (the Pulitzer Prize-winning playwright of August: Osage County)[20] as George, Carrie Coon, and Madison Dirks. George becomes tender with Martha, and Martha becomes more open with George, at the end of the night of debauchery and disclosure. George reacts violently by breaking a bottle. After the truth has been revealed about George and Marthas fictitious son, Nick and Honey exit, leaving George to care for Martha who ultimately admits that she is afraid of Virginia Woolf, of living life free of illusion. From the creators of SparkNotes, something better. Segal demonstrates a talent that until now, on the screen, at any rate, was only latent. One of the greatest monologues in theater, from one of the most captivating plays ever written. Edward Albee and Who's Afraid of Virginia Woolf? He says yes, and states that things will be better now. This exorcism occurs in front of Honey and Nick, who are not sure what to make of it. "I said I was impressed, Martha. "The play," he wrote in a programme note to the 1996 Almeida . Who's Afraid of Virginia Woolf? It will categorically squander the time. A history professor and his wife entertain a young couple who are new to the university's faculty. Finally, Nick and Honey can go home. When Nick, a young biology professor, and his mousy wife, Honey, stop by . She best characterizes herself, when she refers to herself as an "earth mother" who constantly wants to get . George suggests a new game called "Get the Guests". 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